Pablo escobar son3/1/2023 ![]() We hear the chilling intercepted phone call between father and son that led to the bloody shootout that killed Escobar. Together they provide a bleak narrative of Colombia's violence in the 1980s and '90s, as well as a poignant account of a conflicted young man whose existence was dictated by his father's ruthless ways. There are snapshots of tender family moments-Pablo and his young son at the White House and Disney World-mixed with images of the Escobars temporarily retreating to Panama and war-torn Nicaragua, and unsuccessfully seeking refuge in the U.S. The film mixes never-seen-before home videos and photos of the Escobars with old news clips and new footage of Sebastián and his mother, Maria Isabel Santos. I felt we would find a way to connect because of our similar cultures, values, and experiences."Īll 90 minutes of Sins of My Father are gripping. "What motivated me was that Sebastián, myself, and the sons of Lara and Galán are all around the same age. "I was proposing to tell the story from the point of view of the sons, and Sebastián liked that," says Entel, 34. Then in 2005 he met Entel, who suggested a novel approach: bringing Marroquín together with the sons of the late Colombian justice minister Rodrigo Lara Bonilla and the late presidential candidate Luis Carlos Galán, both killed on orders from Escobar after confronting his cocaine cartel. He declined, thinking they would only glorify and exploit his father's image. ![]() "My only conviction is for this film to be a message of peace."ĭozens of filmmakers had approached Marroquín, 32, about telling his story. "I don't think anyone can prepare for something like this," says Marroquín. 10 is expected to be a watershed cultural event 30 prints have been ordered, unprecedented for a documentary. Now that the international media frenzy has begun, Marroquín knows his life of anonymity is over. After Pablo Escobar died in a hail of bullets in Medellín in 1993, 16-year-old Juan Pablo Escobar fled with his mother and sister to Ecuador, beginning a long journey of resettlement that brought them all over South America and Africa, and ultimately to Argentina, where he changed his name and became an architect. "But I am optimistic that people will understand why we made it." (Article continued below.) "I am more uncertain than fearful after making this film," he says as the lights dim. After spending the past 16 years trying to distance himself from his father's brutal legacy, he was about to bring it all back into public view. Sitting beside Marroquín in the empty theater, I could sense his apprehension. It was the first time anyone-including Marroquín and director Nicolas Entel-would see the final cut of the film onscreen before its premiere last week at Argentina's Mar del Plata International Film Festival. I met Marroquín-he changed his name from Juan Pablo Escobar after he fled Colombia following his father's death-in Buenos Aires minutes before a private screening of Pecados de Mi Padre (Sins of My Father), a documentary that traces his journey of reconciliation with the sons of some of Escobar's most famous victims. In fact, if Sebastián Marroquín grew a mustache, he would be the spitting image of the most famous drug dealer in history: his father, Pablo Escobar. What's most striking at first is the resemblance: a beefy frame and puffy cheeks.
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